![]() Bassett’s Deathwatch plunges us deep into the trenches and barbwire-strewn battlefields of this devastating war. Horror writers are always looking around for new and unusual situations, and while plenty of genre films have been set in World War II, relatively few have tackled the Great War, which tore through Europe between the years 19. ![]() It’s also a fine film from Coscarelli, who specializes in little-seen cult films–for a more recent underappreciated gem, track down a copy of the John Dies at the End, another sterling cocktail of comedy and gore. Kennedy in disguise.Ĭampbell was born to play the part of an ornery old Elvis, and Bubba Ho-Tep is surely one of his finest and most moving performances. Beautifully shot, The Quiet American is a treat that grips from pretty much the get go.īeyond the puerile yet often very funny comedy moments, there’s an unusually touching story tucked away in here about the inevitability of death and the struggle to find a sense of dignity and peace in old age–weighty themes for a horror movie, not least one packed wall to wall with flying killer insects, souls dragged from backsides, and African American acting legend Ossie Davis playing an elderly man who claims to be John F. The political subtext adds weight whilst there’s a feeling of unease that Noyce successfully cultivates throughout. But there are qualities dripping right through the rest of the movie. And both foreigners are attracted to the same Vietnamese woman in Saigon.Ĭaine’s performance is what anchors the film and, unsurprisingly, he was nominated for an Oscar for it. The first of two Phillip Noyce movies that we’re going to talk about on this list, The Quiet American is an adaptation of Graham Greene’s novel and casts Michael Caine as an experienced British reporter and Brendan Fraser–who once had a great knack for mixing in blockbuster roles with interesting projects such as this–as a young American. Oddly, Impostor actually looks less expensive than its not-bad $40 million budget might imply, but it’s the quality of the acting (in particular from the ever-reliable Sinise) and the story that makes this a science fiction film well worth watching. Madeleine Stowe, Mekhi Phifer, and Vincent D’Onofrio round out a great supporting cast, and Mark Isham provides some decent music. Gary Sinise plays a weapons designer who falls under suspicion of the authorities, and spends the rest of the film attempting to convince everybody he’s not a deadly weapon forged by extraterrestrials. It’s set in a distant future where invading aliens are capable of creating replicant spies that are almost indistinguishable from humans–that is, until they detonate with deadly effect. The sorely overlooked Impostor, directed by Gary Fleder and based on the 1953 short story of the same name, isn’t in the same league as the very best PKD adaptations, but it’s still full of the twists and existential crises you’d expect. Dick, it’s likely that a handful of films will spring to mind: most obviously Blade Runner and Total Recall, followed by Minority Report and A Scanner Darkly, then maybe the less-than-brilliant Paycheck and Next. When thinking about the movie adaptations of visionary sci-fi author Philip K. Without further ado, here’s our pick of 30 underappreciated films from 2002… So apologies if your favorite isn’t included… Compiling such a list is incredibly tricky, especially when it comes to films that didn’t do particularly well in cinemas, but have become adored by a legion of fans since. A quick look at 2013‘s top 10, for example, reveals a markedly similar mix of superhero movies with Iron Man 3 still ruling the roost at the time of writing, followed by effects-heavy action flicks and family friendly animated features.Īs usual in these lists, we’re looking at the less celebrated films of 2002–the kinds of movies that not only didn’t make the top 10, but also failed to get either the financial or critical attention they deserved. In many ways, 2002 set the tempo for the modern Hollywood blockbuster landscape, which has changed relatively little in the decade since. ![]() Peter Jackson’ s The Lord of the Rings: The Two Towers made almost a billion dollars all by itself, with Harry Potter and the Chamber of Secrets taking second place, and Sam Raimi’s Spider-Man not too far behind. At the top of the box office tree, 2002 was dominated by fantasy and special effects.
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